← ALL ARTISTS

Natasha Conway

Natasha Conway

Painting

blue

Cosmic Earth, 2026 | oil and sand on linen over wood panel, 50x40 cm

Cosmic Earth, 2026 | oil and sand on linen over wood panel, 50x40 cm

Originally from Co. Kildare and now based in Dublin, Natasha Conway is an Irish artist and a graduate of the MFA programme at NCAD Dublin. Recent exhibitions include Shifting in Silence, Rathfarnham Castle, Dublin; ABSTRACTA, Annarumma Gallery, Naples; Seven Forevers, Thierry Goldberg Gallery, New York; and Dubliners at the 6th Biennial of Painting, Zagreb. A solo exhibition at TÔN Gallery, Dublin, follows in 2027. Her awards include the Jerwood Contemporary Painters Prize, the Arts Council Agility Award, the Thomas Dammann Junior Memorial Trust Award and the National University of Ireland Art and Design Award. Her work is held in public and private collections at home and abroad.

Originally from Co. Kildare and now based in Dublin, Natasha Conway is an Irish artist and a graduate of the MFA programme at NCAD Dublin. Recent exhibitions include Shifting in Silence, Rathfarnham Castle, Dublin; ABSTRACTA, Annarumma Gallery, Naples; Seven Forevers, Thierry Goldberg Gallery, New York; and Dubliners at the 6th Biennial of Painting, Zagreb. A solo exhibition at TÔN Gallery, Dublin, follows in 2027. Her awards include the Jerwood Contemporary Painters Prize, the Arts Council Agility Award, the Thomas Dammann Junior Memorial Trust Award and the National University of Ireland Art and Design Award. Her work is held in public and private collections at home and abroad.

STATEMENT

"The work holds dualities. It appears organic and geometric, contemporary and archaic, awkward and coherent, unstable yet whole—seeking a unity that remains alive, open, playful and charged."

"The work holds dualities. It appears organic and geometric, contemporary and archaic, awkward and coherent, unstable yet whole—seeking a unity that remains alive, open, playful and charged."

“I make small-scale paintings using oil and other materials on wood panel. Through an intuitive process of layering and reworking, the paintings evolve as invented relational spaces shaped by colour, material and spatial tension. The work holds dualities — it appears organic and geometric, contemporary and archaic, awkward and coherent, unstable yet whole — seeking a unity that remains alive, open and charged. What interests me, ultimately, is the handmade object as a site of exchange: whether something accrued through the process of making can be felt by someone standing in front of it, without explanation.”

Artist website →

For enquiries works in MAKING SPACE: fexa@fumballyexchange.com