Conor Horgan

Conor Horgan

Photography

flag no 54

Post State, Flag No 54, 2022 | photograph on glazed paper, 60x45 cm

Post State, Flag No 54, 2022 | photograph on glazed paper, 60x45 cm

Conor Horgan is a visual artist, photographer and filmmaker living in Dublin, known for his portraiture and for a socially engaged practice that extends to landscape and still life. In 2026 he won the inaugural Taylor Wessing Irish Photo Prize for EDGE, a project about homeless International Protection Applicants in Dublin. Solo exhibitions include Post-State (RHA, 2022) and Unpublished Dublin (Little Museum of Dublin, 2014), and his permanent installation En résidence hangs at the Centre Culturel Irlandais, Paris. He has directed 11 films, among them The Queen of Ireland. His work is held in the National Gallery, Irish State Art and David Kronn collections.

Conor Horgan is a visual artist, photographer and filmmaker living in Dublin, known for his portraiture and for a socially engaged practice that extends to landscape and still life. In 2026 he won the inaugural Taylor Wessing Irish Photo Prize for EDGE, a project about homeless International Protection Applicants in Dublin. Solo exhibitions include Post-State (RHA, 2022) and Unpublished Dublin (Little Museum of Dublin, 2014), and his permanent installation En résidence hangs at the Centre Culturel Irlandais, Paris. He has directed 11 films, among them The Queen of Ireland. His work is held in the National Gallery, Irish State Art and David Kronn collections.

STATEMENT

"My work is concerned with identity, vulnerability, trust and the need for meaningful connections to self, others and the natural world."

"My work is concerned with identity, vulnerability, trust and the need for meaningful connections to self, others and the natural world."

“When making a body of work over the course of several years, many subsidiary themes usually develop and start vying for a place in the finished exhibition. The danger is that too many themes can dilute the main thrust, so a delicate balancing act is required. When I made Post-State (RHA Ashford Gallery, 2022), a series of speculative images imagining what this island would be like after climate chaos has rendered it no longer a nation state, there were several works which explored the relationship between nature and our built environment, with an emphasis on our desire to control and exclude the natural world. The Making Space exhibition has given me an opportunity to go back and assemble a smaller set of the works which focus closely on this theme, and which all share a commonality of colour and tone — a chapter out of the book, as it were.”

For enquiries works in MAKING SPACE: fexa@fumballyexchange.com